Tucked deep inside the heart of the New York Public Library is a resource that most of us wish we had unlimited access to—a set of incredibly smart, innovative engineers and product managers who are charged with modernizing the Library’s public collections and creating amazing new uses for the multitude of texts that make up one of the nation’s oldest public cultural institutions.
These engineers and product managers are part of NYPL Labs—an organization that was created in the fall of 2011 to answer the question: How do libraries remain relevant in the era of the Internet?
Once the cultural centerpieces of every city, libraries around the country are facing declining membership and are struggling to figure out how to move forward in an increasingly digital world. When people can go online and find answers to most of their questions, why would they visit the dank halls of 100-yr-old institutions? And, if people are not visiting their local libraries, how can these organizations capture and share the wealth of knowledge that is held within their walls?
The folks at the NYPL Labs are trying to figure this out. And, in the process, are demonstrating how existing organizations can harness technology in order to stave off the disruptive tides wrought forth by the Internet.
Ben Vershbow, who manages the Labs, likes to view libraries as “data clearinghouses.” If you deconstruct a traditional collection into a set of data points—rather than a set of texts—you open up new doors for patrons to play with, mash-up, and create new tools using this data. Rather than caving in the face of new technologies, NYPL is using these technologies to create new experiences for their patrons.
Take, for example, the project “What’s on the Menu?” The Library has one of the largest collections of historical restaurant menus in the world—around 45,000 in total. The goal of this project is to deconstruct these documents into readable data formats. What kind of data exists on a typical menu? Well, the restaurant name, geographic location, item name, item description, and cost, to start. Given the scale of the project, the NYPL scans the menus and then looks to the crowd to transcribe these menus into a searchable database. So far, over 1 million dishes have been transcribed from over 15,000 menus.
Want to know what people were eating in San Francisco at the turn of the century? At the Palace Hotel Restaurant and Ladies Grill it was ‘Fancy roast on toast’ and ‘Oysters, butter broiled.’ At the St. Francis it was ‘Essence of Chicken’ and ‘Salted Almonds.’
Want to make an app that compares menus from 1906 to those from 2006? No problem, the NYPL makes the data available via CSV and an open API.
We, in our modern day, think our 3-D glasses, 3D TVs, and animated GIFS are hot new technology that we’ve created, but think again! Before James Cameron, Martin Scorcese, and George Lucas, there were stereographers who devoted their lives to recording the world in three dimensions.
Another one of the NYPL Lab’s projects celebrates and reinvents the original 3D, the stereograph (those two sided images that when viewed together through a stereoscope appear to be three dimensional). Their project, aptly named the Stereoganimator, allows you to comb through their archive of 40,635 stereographs and re-imagine them as animated gifs.
If you begin to think about the enormous resources housed in the NYPL, you can imagine a number of potentially interesting use cases that begin to emerge. Imagine an app that collected all of the Library’s images of houses that were designed and built over the past 200 years and then mapped this against data that might include the materials used; location; total square footage; and room type. Match this up with data across other institutions in the US and abroad to create one of the most comprehensive pools of information available on the subject of architecture. This would be a dream for both students and practitioners!
It will be interesting to watch these and other projects emerge from the Labs; and, to see Labs opening up at other libraries around the world. The creative possibilities are endless. And, proof that even the oldest institutions cannot only survive; but thrive, in our new digital world.